This course examines Bertolt Brecht’s impact on contemporary cinema—both Hollywood and the international ‘art film’—focusing on Jean-Luc Godard as a key figure in the transition from modernist avant-garde to postmodernist cinematic selfreflexivity.
Prerequisites: 1.0 credits in FS courses
Exclusion: FS343u
This course examines Bertolt Brecht’s impact on contemporary cinema—both Hollywood and the international ‘art film’—focusing on Jean-Luc Godard as a key figure in the transition from modernist avant-garde to postmodernist cinematic selfreflexivity.
Prerequisites: 1.0 credits in FS courses
Exclusion: FS343u
0%Liked
Easy
0%
Useful
0%
0 ratings
This course examines Bertolt Brecht’s impact on contemporary cinema—both Hollywood and the international ‘art film’—focusing on Jean-Luc Godard as a key figure in the transition from modernist avant-garde to postmodernist cinematic selfreflexivity.
Prerequisites: 1.0 credits in FS courses
Exclusion: FS343u
FS 363
Brecht Godard Hollywood
0%Liked
Easy
0%
Useful
0%
0 ratings
This course examines Bertolt Brecht’s impact on contemporary cinema—both Hollywood and the international ‘art film’—focusing on Jean-Luc Godard as a key figure in the transition from modernist avant-garde to postmodernist cinematic selfreflexivity.
Prerequisites: 1.0 credits in FS courses
Exclusion: FS343u
This course examines Bertolt Brecht’s impact on contemporary cinema—both Hollywood and the international ‘art film’—focusing on Jean-Luc Godard as a key figure in the transition from modernist avant-garde to postmodernist cinematic selfreflexivity.
Prerequisites: 1.0 credits in FS courses
Exclusion: FS343u
0%Liked
Easy
0%
Useful
0%
0 ratings
This course examines Bertolt Brecht’s impact on contemporary cinema—both Hollywood and the international ‘art film’—focusing on Jean-Luc Godard as a key figure in the transition from modernist avant-garde to postmodernist cinematic selfreflexivity.
Prerequisites: 1.0 credits in FS courses
Exclusion: FS343u
